“We have merely nodded to fear. Now we must shake its filthy hand.”
~ Ernest K. Gann, Fate is the Hunter
I've been thinking of something Dickey Chapelle wrote in her autobiography. She was a war correspondent on Iwo Jima in 1945 and had just photographed a wounded marine:
“After I took his picture, while the chaplain administered the
last rites as the corpsman began transfusing him, he came back to
consciousness for a moment. His eyes rested on me. He said, “Hey, who
you spyin’ for?”
“The folks back home, Marine.”
“The folks back home, huh? Well, fuck the folks back home!” he rasped. Then he closed his eyes. I didn’t see where his stretcher was carried.
After we had ceased loading for the day, his voice haunted me. What lay behind that raw reflex answer? What dear-John-I-know-you-understand letter? What other betrayal?
I remembered his wound. A piece of a giant mortar shell had sliced across his stomach. So I went down into the abdominal ward with my notebook in my hand. There were no names in it yet because I wasn’t willing to hold up moving stretchers while I spelled out names. But I had copied the dogtag numbers of each man as I made his picture. The nurses’ clipboard listed the serial numbers of the men being treated. The number I wanted wasn’t there. I thought perhaps I had been mistaken about the kind of wound he had, so I tried to find him in the other wards, the other decks, even those of the officers. I couldn’t find his number.
There was only one more set of papers aboard. This showed the dogtag numbers of the men who had died on deck. The number for which I was looking was near the top of the list.
So I think I was the last person to whom he was able to talk. And I had heard him die cursing what I thought he had died to defend.
It was my first and most terrible encounter with the barrier between men who fight, and those for whom the poets and the powers say they fight.”
Chapelle herself was killed in Viet Nam in 1965 while on patrol with marines during Operation Black Ferret.
~ Ernest K. Gann, Fate is the Hunter
I've been thinking of something Dickey Chapelle wrote in her autobiography. She was a war correspondent on Iwo Jima in 1945 and had just photographed a wounded marine:
 |
| The photograph she took. |
“The folks back home, Marine.”
“The folks back home, huh? Well, fuck the folks back home!” he rasped. Then he closed his eyes. I didn’t see where his stretcher was carried.
After we had ceased loading for the day, his voice haunted me. What lay behind that raw reflex answer? What dear-John-I-know-you-understand letter? What other betrayal?
I remembered his wound. A piece of a giant mortar shell had sliced across his stomach. So I went down into the abdominal ward with my notebook in my hand. There were no names in it yet because I wasn’t willing to hold up moving stretchers while I spelled out names. But I had copied the dogtag numbers of each man as I made his picture. The nurses’ clipboard listed the serial numbers of the men being treated. The number I wanted wasn’t there. I thought perhaps I had been mistaken about the kind of wound he had, so I tried to find him in the other wards, the other decks, even those of the officers. I couldn’t find his number.
There was only one more set of papers aboard. This showed the dogtag numbers of the men who had died on deck. The number for which I was looking was near the top of the list.
So I think I was the last person to whom he was able to talk. And I had heard him die cursing what I thought he had died to defend.
It was my first and most terrible encounter with the barrier between men who fight, and those for whom the poets and the powers say they fight.”
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| Dickey Chapelle |
Chapelle herself was killed in Viet Nam in 1965 while on patrol with marines during Operation Black Ferret.
